“You cannot
make a bid for power and after you fail say: … ah, we are together… let’s share
power. Heads I win, tails you lose” - Taib Mahmud
The
line above is not something I made up. They were actually said by Taib Mahmud,
the Chief Minister of Sarawak, in 1991 after PBDS, a splinter political party
seek to be readmitted to the main coalition that make up the government
following an unsuccessful attempt to overthrow him.
The
series of events of this period in Sarawak’s history saw the State Legislative
Assembly dissolved in March 1987 before the plan to set a motion for
vote-of-no-confidence against the Chief Minister led by the majority of the
State Legislative members could begin to call for a more democratic process of
election.
What
was more surprising was the lead conspirator behind this was Taib’s own uncle
and mentor, Rahman Yaakub.
With
so much intrigue with conspiracies, political alliances and conflicts, I felt
that this event in the State’s history has the kind of stuff films are made of
- at least the dark, intense and gritty type of film with stadium speeches and
behind closed door shouting- similar to the Star Wars saga family feud turning
into intergalactic war.
I
got the idea to write the story from the time that I spent State Library to
work on my assignments for this writing course. At the Special Section of the
library, I found two great resources, The Plot That Failed by Yu Loong Ching
(1989) and The Political Saga by James Ritchie (1991) that documents this event. These materials are useful
resources as they were written close to the time of the events and for large
parts are made of compilation of newspaper clippings, election results and
party manifestos.
The
project’s question is how would I adapt the event into a good screenplay?
Although,
this may sound a little adolescent, I will start by giving the film a working
title. I find it difficult to write without one single theme that encompasses
everything.
As
the event happened 20 years ago, the keywords on the event that people would
still be familiar today are: Taib, Rahman and Ming Court Affair. With that in
mind I shall call the working title, Taib and Rahman: The Ming Court Affair to
make it relevant and effective.
The
title might have not struck a resonance to the international cinemagoers – like
Star Wars – but I think it suits the purpose and audience.
My
intention in making the film is not to get awards or break box office records
but to combine entertainment and history lessons in a screenplay. The film
would suit smaller screening particularly in the remote rural areas of the
State and for groups interested in understanding more about politics in this
region.
The
next step in adapting the event into a screenplay is to arrange and edit them
in the framework of the three-act structure that will give it a clear
beginning, middle and an end (Green 2010). This is done before I add in the
details like sequences, scenes and shots of Taib and Rahman: Ming Court Affair.
Act 1: Set
up
The
first act functions as a set up and point of entry to the screenplay. This part of the sequence will focus on the main characters of the film,
Taib – who will be the point where we see most of the events – and Rahman.
Early
in the screenplay, I want to show the relationship that they share as uncle and
nephew. In the books that I have cite as resources earlier, little is said
about this subject.
There
are signs that the two were very close in their younger days. Rahman had
affectionately reminisce that he used to babysit and carry Taib – ten years his
junior – on his back when was a child. He also note that it was he who advised
his nephew to take law instead of medicine as the profession was much more
required in the State at the time.
In
the first act I will use these information to reconstruct younger versions of
the two to give the audience insight on the relationship that they had. This
will provide a back-story and sets up the substructure that highlight how far
their relationship soured at the peak of the Ming Court conflict.
The
first sequences will follow a young Taib with scenes of him getting a
scholarship, pursuing his studies as a Law Student in the University of
Adelaide, meeting his wife Laila and his return to Sarawak. As the screenplay
move forward, I will continue to develop the relationship of Taib and Rahman
through their correspondence and the cordial and trusting relationship when
they meet. Th first act continues as Rahman becomes the Chief Minister and Taib
holds ministerial posts with the federal government.
Having
all this in the first 25-30 minutes means that the beginning will be fast paced
with short sequences and scenes.
Act 2:
Conflicts
The
second act is where the story builds.
I
have identified that the story between the two builds up when Taib was rushed back
to the State to take over from Rahman who stepped down as Chief Minister
following a heart surgery in London.
It
is here that we first see the conspiracy style of Rahman as he instructed State
Legislative member, Sharifah Mordiah to step down from her seat to pave the way
for a by-election, signaling Taib’s return to the State’s political scene.
Rahman
retreats to taking the ceremonial position as Governor, with his nephew sworn
in as the 4th Chief Minister of Sarawak.
This
event, sown the seed of conflict between the, as Taib decides to do things his
way and choose to ignore Rahman’s ‘advices’. In the screenplay, I will show
example of this happening, such when Rahman criticize the Federal government
for the delay and scale down of the Bintulu Port in 1983 at its opening
ceremony after which Taib staged a walkout.
Soon
after Rahman resigned as Governor citing health issue as the reason although it
was an open secret that it was because of his diagreement with Taib.
In
the second act I will also introduce a new complication: the disharmony in one
of the coalition party, SNAP, in Taib’s Barisan
Nasional. The conflict begun when SNAP, a predominantly Dayak party
appointed a Chinese as its president. Because of this, member of the party, Leo
Moggie, Daniel Tajem and James Masing left SNAP and formed a splinter party,
PBDS with Leo as its president.
Rahman
took this opportunity to create an alliance with Leo and his new party with an
end to overthrow a common enemy Taib who is perceived as ignoring the plight of
the Dayak for the Chinese. The alliance will be written in the screenplay as
they all meet at Ming Court Hotel in Kuala Lumpur.
At
the scene of the meeting, Rahman is confident. His past as Chief Minister and
Governor and his cleverness/ruthlessness in removing his own predecessor Tawi
Sli and appointment of Taib made the other conspirators even more trust in him.
With PBDS Rahman had the support of popular Dayak leaders.
The
plan was set in motion happens when 4 of the State’s cabinet ministers resigns.
Taib receives a Telex from 26 out of 48 State Legislative members to resign
honorably or face a vote of no confidence.
In
the second act, the screenplay, the scenes would move between closed-door
conversations, phone calls, press conferences and public speeches. The
newspaper statements from both sides will also be prominent.
As
the twist and turn develops, I will show Laila, providing essential and much
needed counsel and support for his husband. The scene with Taib and his wife
will be weaved in subtly with the two listening to P Ramlee – a popular
Malaysian singer from the 50s and 60s - together, and sitting for a meal
together.
With
the person cast for the role, Laila might steal some thunder from all the
confusion that his happening around the State’s political scene with her
intelligence and demure way together with her habit of driving cars very fast.
These lighter scenes are important to give a contrast to the more serious
political scenes.
Act 3: Climax
and Conclusion
The
third act is the climax of the story.
Instead of bowing to the pressure of more than half the
State Legislative member pressure to resign, Taib fights back.
In
a mood of defiant he appoints new young cabinet ministers whom he knows does
not have any link to Rahman. He then called for a fresh election in a month’s
time – two months ahead of the next State Legislative seating. In effect the
State Legislative Council had to be dissolved.
The
sequences that follow will show Taib’s Barisan Nasional, Rahman newly formed
party Permas and PBDS on a campaign trail. Rahman is shown calling Taib a weak
leader, PBDS members such as Tajem making racial announcement such as “it is
time for the Dayak to become generals instead of soldiers” and Taib making the
most convincing and clear argument of all that Barisan Nasional stands for “politic of development and not of
power”.
The
results pour in with scenes of people from all walks of life in the State
tuning the radio and ended with the Election Committee General announcing that Barisan Nasional had won the election
with 28 seats compared to PBDS and Permas’ 15 and 5 seats.
The
scene moves to a long shot showing thousand of his supporters waiting for his
house. The Chief Minister arrives in his silver Rolls Royce and soon after we
see him being carried on his cabinet minister’s shoulders with a jubilant
crowd.
Taib
calls for all to accept the results as gentlemen. Rahman retired outside of
politics to conduct free religious classes and PBDS continues to be an
opposition at State level but align to the government at Federal level for the
next few years.